I hear many parents say that their teenagers are too independent.I wish it were so.At your age you ought to be growing away from your parents.You should be learning to stand on your own feet.But take a good look at the present rebellion,it seems that teenagers are all taking the same way of showing that they disagree with their parents.Instead of striking out bravely on their own,most of them are trying to seize at one another’s hands for safety.
They say they want to dress as they please.But they all wear the same clothes.They set off in new directions in music.But the reason for thinking or acting in thusandsuch a way is that the crowd is doing it.They have come out of their cocoon (蠶繭)—into a larger cocoon.
It has become harder and harder for a teenager to stand up against the popularity wave and to go his or her own way.Industry has firmly opened up a teenager market.These days every teenager can learn from newspapers and TV what a teenager should have and be.And many of today’s parents have come to award (獎(jiǎng)勵(lì)) high marks for the popularity of their children.All this adds up to great difficulty for the teenager who wants to find his or her own path.
But the difficulty is worth getting over.The path is worth following.You may want to listen to classical music instead of going to a party.You may want to collect rocks when everyone else is collecting records.You may have some thoughts that you don’t care to share at once with your classmates.Well,go to it.Find yourself.Be yourself.Popularity will come—with the people who respect you for who you are.That’s the only kind of popularity that really counts.
60.The writer’s purpose in writing this text is to tell________.
A.readers how to be popular in the world
B.teenagers how to learn to decide things for themselves
C.parents how to control and guide their children
D.people how to understand and respect each other
61.Teenagers should________,according to the text.
A.rebel against their parents
B.find their real self
C.become different from others in as many ways as possible
D.obey what their parents say
62.Which of the following is NOT true according to the text?
A.People will respect you if you share your thoughts with others.
B.Some parents are actually keeping their children from finding their own paths.
C.It is not necessarily bad for a teenager to disagree with his or her classmates.
D.Most teenagers say they want to do what they like to,but in fact they are not doing the same.
63.What does the underlined word “counts” in the last paragraph mean?
A.To recite or list numbers.
B.To have value or importance.
C.To share some thoughts.
D.To be different.
60.B 細(xì)節(jié)理解題。作者在分析十多歲的少男少女們追求獨(dú)立之路所遇到的種種困難之后,鼓勵(lì)他們應(yīng)克服困難追求獨(dú)立。A項(xiàng)“告訴讀者怎樣讓自己受世人歡迎”;C項(xiàng)“告訴父母怎樣管理和指導(dǎo)自己的孩子”;D項(xiàng)“告訴人們?cè)鯓踊ハ嗬斫饣ハ嘧鹬亍倍寂c文章內(nèi)容不一致。
61.B 主旨大意題。從短文最后一段中的“Find yourself.Be yourself.Popularity will come...”來(lái)推斷,作者鼓勵(lì)青少年們追求自我、追求獨(dú)立的個(gè)性。
62.A 細(xì)節(jié)理解題。從倒數(shù)第二句中“with the people who respect you for who you are”可以推知,人們敬佩的是那些具有獨(dú)立意識(shí)和個(gè)性的人,不是一些“從眾”的人。B項(xiàng)可從第三段第四句得知;C項(xiàng)可從第四段得出;D項(xiàng)可由第二段推斷出。
63.B 詞意猜測(cè)題。由句子意思“真正起作用的正是這種名氣”可以猜測(cè)出count意為“起作用”。
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科目:高中英語(yǔ) 來(lái)源: 題型:閱讀理解
There are still many things that Peter Cooke would like to try his hand at — paper-making and feather-work are on his list. For the moment, though, he will stick to the skill that he has been delighted to make perfect over the past ten years: making delicate and unusual objects out of shells.
As he leads me round his apartment showing me his work, he points to a pair of shell-covered ornaments(裝飾品) above a fireplace. “I shan’t be at all bothered if people don’t buy them because I have got so used to them, and to me they’re lovely. I never meant to sell my work commercially. Some friends came to see me about five years ago and said, ‘You must have an exhibition — people ought to see these. We’ll talk to a man who owns an art gallery’”. The result was an exhibition in London, at which 70 per cent of the objects were sold. His second exhibition opened at the gallery yesterday. Considering the enormous prices the pieces command —around £2,000 for the ornaments — an empty space above the fireplace would seem a small sacrifice for Cooke to make.
There are 86 pieces in the exhibition, with prices starting at£225 for a shell-flower in a crystal vase. Cooke insists that he has nothing to do with the prices and is cheerily open about their level: he claims there is nobody else in the world who produces work like his, and, as the gallery-owner told him, “Well, you’re going to stop one day and everybody will want your pieces because there won’t be any more.”
“I do wish, though,” says Cooke, “that I’d taken this up a lot earlier, because then I would have been able to produce really wonderful things — at least the potential would have been there. Although the ideas are still there and I’m doing the best I can now, I’m more limited physically than I was when I started.” Still, the work that he has managed to produce is a long way from the common shell constructions that can be found in seaside shops. “I have a miniature(微型的) mind,” he says, and this has resulted in boxes covered in thousands of tiny shells, little shaded pictures made from shells and baskets of astonishingly realistic flowers.?
Cooke’s quest(追求) for beautiful, and especially tiny, shells has taken him further than his Norfolk shore: to France, Thailand, Mexico, South Africa and the Philippines, to name but a few of the beaches where he has lain on his stomach and looked for beauties to bring home. He is insistent that he only collects dead shells and defends himself against people who write him letters accusing him of stripping the world’s beaches. “When I am collecting shells, I hear people’s great fat feet crunching(嘎吱嘎吱地踩) them up far faster than I can collect them; and the ones that are left, the sea breaks up. I would not dream of collecting shells with living creatures in them or diving for them, but once their occupants have left, why should I not collect them?” If one bases this argument on the amount of luggage that can be carried home by one man, the beauty of whose work is often greater than its natural parts, it becomes very convincing indeed.
What does the reader learn about Peter Cooke in the first paragraph?
A. He has produced hand-made objects in different materials.?
B. He hopes to work with other materials in the future.?
C. He has written about his love of making shell objects.?
D. He was praised for his shell objects many years ago.
When mentioning the cost of his shell objects, Cooke ____.
A. cleverly changes the subject.
B. defends the prices charged for his work.
C. says he has no idea why the level is so high.
D. notes that his work will not always be so popular.
The “small sacrifice” in Paragraph 2 refers to _________.?
A. the loss of Cooke’s ornaments? B. the display of Cooke’s ornaments?
C. the cost of keeping Cooke’s ornaments D. the space required to store Cooke’s ornaments
What does Cooke regret about his work?
A. He is not as famous as he should have been.?B. He makes less money than he should make.
C. He is less imaginative than he used to be.? D. He is not as skillful as he used to be. ?
What does the reader learn about Cooke's shell-collecting activities?
A. Not everyone approves of what he does.
B. Other methods might make his work easier.
C. Other tourists get in the way of his collecting.
D. Not all shells are the right size and shape for his work
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科目:高中英語(yǔ) 來(lái)源: 題型:
短文改錯(cuò)
此題要求改正所給短文中的錯(cuò)誤。對(duì)標(biāo)有題號(hào)的每一行作出判斷:如無(wú)錯(cuò)誤,在該行右邊橫線(xiàn)上畫(huà)一個(gè)勾(√);如有錯(cuò)誤(每行只有一個(gè)錯(cuò)誤),則改正:
注意:原行沒(méi)有錯(cuò)的不要改。
After I finished the school this year,I began to 1. _______
look for work. Now several month later, I still hadn't 2. _______
found the job that I was interested. Last Sunday morning 3. _______
I received a phone call from a man calling him Mr. Smith.4. _______
He said to me on the phone, "I hear you do very 5. _______
well in your studies. I may provide a job for you." I entered 6. _______
his office with a beaten heart. How I hoped that I 7. _______
will go through the job -hunting talk today and he would8. _______
take me on as a lab assistant. But to my surprised, 9. _______
what he said disappointing. He only needed a model. 10. ______
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此題要求改正所給短文中的錯(cuò)誤。對(duì)標(biāo)有題號(hào)的每一行作出判斷:如無(wú)錯(cuò)誤,在該行右邊橫線(xiàn)上畫(huà)一個(gè)勾(√);如有錯(cuò)誤(每行只有一個(gè)錯(cuò)誤),則按下列情況改正:
此行多一個(gè)詞:用斜線(xiàn)(\)劃掉,在該行右邊橫線(xiàn)上寫(xiě)出該詞,并也用斜線(xiàn)劃掉。
此行缺一個(gè)詞:在缺詞處加一個(gè)漏字符號(hào)(∧), 在該行右邊橫線(xiàn)上寫(xiě)出該加的詞。
此行錯(cuò)一個(gè)詞:在錯(cuò)的詞下劃一橫線(xiàn),在該行右邊橫線(xiàn)上寫(xiě)出改正后的詞。
注意:原行沒(méi)有錯(cuò)的不要改。
After I finished school, I began to look for a work. 1._______________
Now several months has passed, but I haven’t found the 2._______________
job I’m interested. Last Sunday morning, I received a3. _______________
phone call from a man called Mr. Wang. He said on 4._______________
the phone, “I hear you do well on your studies. I may5._______________
offer you a job.” I entered into his office with a beating heart.6._______________
How I wished I will go through the job-hunting talk 7._______________
and that she would take on me as an assistant. 8._______________
But to my surprised, what he said disappointed me. 9._______________
That he needed was only a model. 10._______________
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There are still many things that Peter Cooke would like to try his hand at — paper-making and feather-work are on his list. For the moment, though, he will stick to the skill that he has been delighted to make perfect over the past ten years: making delicate and unusual objects out of shells.
As he leads me round his apartment showing me his work, he points to a pair of shell-covered ornaments(裝飾品) above a fireplace. “I shan’t be at all bothered if people don’t buy them because I have got so used to them, and to me they’re lovely. I never meant to sell my work commercially. Some friends came to see me about five years ago and said, ‘You must have an exhibition — people ought to see these. We’ll talk to a man who owns an art gallery’”. The result was an exhibition in London, at which 70 per cent of the objects were sold. His second exhibition opened at the gallery yesterday. Considering the enormous prices the pieces command —around £2,000 for the ornaments — an empty space above the fireplace would seem a small sacrifice for Cooke to make.
There are 86 pieces in the exhibition, with prices starting at£225 for a shell-flower in a crystal vase. Cooke insists that he has nothing to do with the prices and is cheerily open about their level: he claims there is nobody else in the world who produces work like his, and, as the gallery-owner told him, “Well, you’re going to stop one day and everybody will want your pieces because there won’t be any more.”
“I do wish, though,” says Cooke, “that I’d taken this up a lot earlier, because then I would have been able to produce really wonderful things — at least the potential would have been there. Although the ideas are still there and I’m doing the best I can now, I’m more limited physically than I was when I started.” Still, the work that he has managed to produce is a long way from the common shell constructions that can be found in seaside shops. “I have a miniature(微型的) mind,” he says, and this has resulted in boxes covered in thousands of tiny shells, little shaded pictures made from shells and baskets of astonishingly realistic flowers.?
Cooke’s quest(追求) for beautiful, and especially tiny, shells has taken him further than his Norfolk shore: to France, Thailand, Mexico, South Africa and the Philippines, to name but a few of the beaches where he has lain on his stomach and looked for beauties to bring home. He is insistent that he only collects dead shells and defends himself against people who write him letters accusing him of stripping the world’s beaches. “When I am collecting shells, I hear people’s great fat feet crunching(嘎吱嘎吱地踩) them up far faster than I can collect them; and the ones that are left, the sea breaks up. I would not dream of collecting shells with living creatures in them or diving for them, but once their occupants have left, why should I not collect them?” If one bases this argument on the amount of luggage that can be carried home by one man, the beauty of whose work is often greater than its natural parts, it becomes very convincing indeed.
1.What does the reader learn about Peter Cooke in the first paragraph?
A. He has produced hand-made objects in different materials.?
B. He hopes to work with other materials in the future.?
C. He has written about his love of making shell objects.?
D. He was praised for his shell objects many years ago.
2.When mentioning the cost of his shell objects, Cooke ____.
A. cleverly changes the subject.
B. defends the prices charged for his work.
C. says he has no idea why the level is so high.
D. notes that his work will not always be so popular.
3.The “small sacrifice” in Paragraph 2 refers to _________.?
A. the loss of Cooke’s ornaments? B. the display of Cooke’s ornaments?
C. the cost of keeping Cooke’s ornaments D. the space required to store Cooke’s ornaments
4.What does Cooke regret about his work?
A. He is not as famous as he should have been.?B. He makes less money than he should make.
C. He is less imaginative than he used to be.? D. He is not as skillful as he used to be. ?
5.What does the reader learn about Cooke's shell-collecting activities?
A. Not everyone approves of what he does.
B. Other methods might make his work easier.
C. Other tourists get in the way of his collecting.
D. Not all shells are the right size and shape for his work
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此題要求改正所給短文中的錯(cuò)誤。對(duì)標(biāo)有題號(hào)的每一行作出判斷:如無(wú)錯(cuò)誤,在該行右邊橫線(xiàn)上畫(huà)一個(gè)勾( √ );如有錯(cuò)誤(每行只有一個(gè)錯(cuò)誤),則按下列情況改正:
此行多一個(gè)詞:把多余的詞用斜線(xiàn)()劃掉,在該行右邊橫線(xiàn)上寫(xiě)出該詞,并也用斜線(xiàn)劃掉。
此行缺一個(gè)詞:在缺詞處加一個(gè)漏字符號(hào)(∧),在該行右邊橫線(xiàn)上寫(xiě)出該加的詞。
此行錯(cuò)一個(gè)詞:在錯(cuò)的詞下劃一橫線(xiàn),在該行右邊橫線(xiàn)上寫(xiě)出改正后的詞。
注意:原行沒(méi)有錯(cuò)的不要改。
After I finished the school this year, I began 1.__________
to look for work. Now several month later, I still 2.__________
hadn‘t found the job that I was interested. Last Sunday 3.__________
morning I received a phone call from a man calling him 4._________
Mr Smith. He said to me on the phone, "I hear that you do 5.__________
very well in your studies. I may have a job for you." 6.__________
I entered his office with a beaten heart. How I hoped 7._________
that I will go through the job-hunting talk today and he 8.___________
would take me on as a lab assistant. But to my surprised, 9.___________
what he said disappointing. He only needed a model. 10.___________
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