Question

Last week Adele's second album, 21, sold 257,000 copies in the UK, a sales figure that would look incredible as an opening sales week for any album by any global superstar. The fact that the album was celebrating its 10th week at No.1, and that each of the previous nine weeks it had sold over 100,000 copies, makes what Adele has achieved look miraculous. The last female singer to spend that long at No.1 in the UK was Madonna in 1990 with her greatest hits compilation, The Immaculate Collection.
For Adele, the success of 21 is part of a perfect storm of talent, timing and a connection that went beyond gender, age and credibility. But what does it say about the state of the music industry? Does Adele's success signal a return to the MOR(適合大眾口味的音樂(lè)) musical depression, when the likes of James Blunt dominated the charts? Her success may well lead to a great many similar acts aiming for an MOR audience, but that's more the fault of an industry desperate to recreate any kind of success by creating poor copies until the world shouts "stop now".
What seems to have set Adele apart is her apparent ordinariness, besides that incredible voice. While Gaga parades around in a dress made of meat and Beyonce orbits a world out of touch to the majority of most human beings, Adele's chain-smoking, girl-you'd-like-to-go-to-the-pub-with persona stands out. Even for a British act, her ordinariness goes against trend, with fellow Jessie J adopting a very American habit of over-emoting, talking about a "journey" and making the idea of being a pop star seem fairly difficult.
It's this universality and broad appeal that's helped her translate talent into sales. While the first single from 21, Rolling in the Deep, appealed to Radio 1 listeners and bloggers, the second single, Someone Like You, is so successful that silenced the grand O2 Arena during this year's Brit Awards. The press can write pages and pages in that there's enough of a connection of musicians – Rick Rubin worked on the album, there's a cover of the Cure, Mumford & Sons were an influence – while the gossip magazines have been excited by the fact that the album is one long break-up record, eager to find the ex.
In 1990, Madonna was a global superstar with a back catalogue of era-defining hits to her name. She was untouchable and, tellingly, unknowable. She was (and still is) a megastar, but a megastar of a different age. These days, we want to know a bit more about our artists; that they have relationship problems, walk their dog. Her selling point and appeal is precisely the fact that she exists at the point between everyday ordinariness and pop star.
For now, Adele's success should be celebrated, especially for becoming an unlikely global star on her own terms. The danger is that we're headed for a lot of fairly boring pop, a situation that led to the "birth" of Gaga a few years back. Pop goes in cycles and it feels like we're headed back towards the very middle of MOR

1. 1.
   Adele’s achievement seems unbelievable for the reason that ____________
   1. A.
      the sales of her second album achieved an incredible success last week in the UK
   2. B.
      her second album ranked first in a row with the incredible average sales per week
   3. C.
      Madonna was the last female singer in the UK to stay at No. 1 as long as she did
   4. D.
      she is such an ordinary singer with so fascinating a voice in the music industry
2. 2.
   According to the author, the success of Adele’s second album __________________
   1. A.
      to a large extent depends on her apparent talent for music
   2. B.
      is because of her extraordinariness and the wonderful voice
   3. C.
      lies in gift, timing and something beyond sex, age and trust
   4. D.
      is largely due to the state of the music industry currently
3. 3.
   Compared with other female pop stars, what does the author think of Adele?
   1. A.
      She stands out in a totally different way from Gaga and Beyonce
   2. B.
      She and Madonna are contemporary megastars in music
   3. C.
      Only she and Madonna spent that long at No.1 in the UK
   4. D.
      Jessie J and she both have an American habit of expressing themselves
4. 4.
   What helped Adele successfully turned her gift of singing into sales?
   1. A.
      Her musical talent
   2. B.
      The joint work of musicians in the album
   3. C.
      Her incredible voice
   4. D.
      Her universality and broad appeal
5. 5.
   The author thinks that the current musical trend in the UK is _______________
   1. A.
      satisfying
   2. B.
      disappointing
   3. C.
      dangerous
   4. D.
      desperate

Answer 1

BCADB
試題分析：文章介紹Adele的音樂(lè)成就，和為什么她的音樂(lè)能這么受歡迎，同事作者表達(dá)對(duì)英國(guó)音樂(lè)領(lǐng)域的擔(dān)心。
1.細(xì)節(jié)題：從第一段的句子：The fact that the album was celebrating its 10th week at No.1, and that each of the previous nine weeks it had sold over 100,000 copies, makes what Adele has achieved look miraculous. 可知Adele的第二張唱片連續(xù)10周排在排行榜首位，這是令人難以置信的。選B
2.細(xì)節(jié)題：從第二段的句子：For Adele, the success of 21 is part of a perfect storm of talent, timing and a connection that went beyond gender, age and credibility.可知選C
3.細(xì)節(jié)題：從第三段的句子：What seems to have set Adele apart is her apparent ordinariness, besides that incredible voice. While Gaga parades around in a dress made of meat and Beyonce orbits a world out of touch to the majority of most human beings, 可知作者認(rèn)為她和Gaga 和 Beyonce.的方式是完全不一樣的。選A
4.細(xì)節(jié)題：從第四段的句子：It's this universality and broad appeal that's helped her translate talent into sales.可知是因?yàn)樗�的大眾歡迎度使她的歌唱天賦變成銷售額。選D
5.細(xì)節(jié)題：從最后一段的句子：The danger is that we're headed for a lot of fairly boring pop, a situation that led to the "birth" of Gaga a few years back. Pop goes in cycles and it feels like we're headed back towards the very middle of MOR.可知現(xiàn)在的英國(guó)的英國(guó)的音樂(lè)潮流是令人失望的。選B
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