15."Wanna buy a body?"That was the opening line of more than a few phone calls I got from self-employed photographers when I was a photo editor at U.S.News.Like many in the mainstream press,I wanted to separate the world of photographers into"them",who trade in pictures of bodies or run after famous people like Princess Diana,and"us",the serious newspeople.But after 16years in that role,I came to wonder whether the two worlds were easily distinguishable.
Working in the reputable world of journalism,I told photographers to cover other people's difficult life situations.I justified marching into moments of sadness,under the appearance of the reader's right to know.I worked with professionals talking their way into situations or shooting from behind police lines.And I wasn't alone.
In any American town,after a car crash or some other horrible incident when ordinary people are hurt or killed,you rarely see photographers pushing past rescue workers to take photos of the blood and injuries.But you are likely to see local newspaper and television photographers on the scene-and fast…
How can we justify doing this?Journalists are taught to separate,doing the job from worrying about the consequences of publishing what they record.Repeatedly,they are reminded of a news-business saying:Leave your conscience in the office,A victim may lie bleeding,unconscious,or dead.Your job is to record the image (圖象).You're a photographer,not an emergency medical worker.You put away your feelings and document the scene.
But catastrophic events often bring out the worst in photographers and photo editors.In the first minutes and hours after a disaster occurs,photo agencies buy pictures.They rush to obtain the rights to be the only one to own these shocking images and death is usually the subject.Often,an agency buys a picture from a local newspaper or an amateur photographer and puts it up for bid by major magazines.The most sought-after special pictures command tens of thousands of dollars through bidding contests.
I worked on all those stories and many like them.When they happen,you move quickly:buying,dealing,trying to beat the agencies to the pictures.
Now,many people believe journalists are the hypocrites (偽君子) who need to be brought down,and it's our pictures that most anger others.Readers may not believe,as we do,that there is a distinction between clear-minded"us"and mean-spirited"them".In too many cases,by our choices of images as well as how we get them,we prove our readers right.
67.When journalists are working,they are told toC.
A.work with their conscience
B.respect the privacy of the victim
C.separate their work from feelings
D.a(chǎn)sk police for permission to take photos
68.The 5th and 6th paragraphs mainly tell us thatD.
A.speed determines the success of a news story
B.photo agencies are greedier than serious newspeople
C.photographers have free access to photos of accidents
D.profit is the driving force beliind the competition for photos
69.It can be learned from the last paragraph that serious newspeopleB.
A.obtain photos differently from news agencies
B.a(chǎn)re no better than self-employed photographers
C.a(chǎn)re more devoted to work than non-professionals
D.have a higher moral standard than self-employed photographers
70.The underlined word"them"in the last paragraph refers toD.
A.photo editors B.photo agencies
C.serious newspeople D.self-employed photographers.
分析 作者通過(guò)講述記者和攝影師的職責(zé),告訴我們他們的不同.
解答 CDBD
67 C 細(xì)節(jié)題.由第二段"I justified marching into moments of sadness,under the appearance of the reader's right to know."可知在讀者的知情權(quán)的表象下,我有理由進(jìn)入悲傷的片刻,說(shuō)明記者必須把感情和工作分開(kāi),正確答案為C.
68 D 細(xì)節(jié)題.由第五段第三、四句"They rush to obtain the rights to be the only one to own these shocking images and death is usually the subject.Often,an agency buys a picture from a local newspaper or an amateur photographer and puts it up for bid by major magazines."可知這兩段講了大災(zāi)難發(fā)生后,攝影師第一時(shí)間跑去拍攝是為了拿到獨(dú)家照片來(lái)賺錢,由此可知這兩段告訴我們攝影師去競(jìng)爭(zhēng)獨(dú)家照片是有利益驅(qū)使的,所以D項(xiàng)正確.而A、B、C項(xiàng)在這兩段沒(méi)有相關(guān)內(nèi)容,所以A、B、C項(xiàng)錯(cuò)誤.故正確答案為D.
69 B 推斷題.由最后一段最后一句"In too many cases,by our choices of images as well as how we get them,we prove our readers right."可知作者想表達(dá)的觀點(diǎn)是讀者認(rèn)為記者是"偽君子"的看法是對(duì)的,所謂嚴(yán)肅的新聞人其實(shí)和自由攝影師沒(méi)有根本的差別,所以B項(xiàng)正確.而另外三項(xiàng)在最后一段沒(méi)有相關(guān)內(nèi)容,所以A、C、D項(xiàng)錯(cuò)誤.故正確答案為B.
70 D 猜測(cè)詞義題.由最后一段形容 them 所使用的形容詞"mean-spirited"以及形容他們記者的 clear-minded 可知作者想把有職業(yè)素養(yǎng)的新聞人與那些為了利益而去拍照片的人分開(kāi),由此可推斷 them 指的是那些 self-employed photographers,故正確答案為D.
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