_____ on folk tales, Mo Yan's novels become a mixture of fantasy and reality.
A. Based B. Basing C. Base D. To base
A加金題 系列答案
全優(yōu)測試卷系列答案科目：高中英語 來源： 題型：閱讀理解
Crosstalk(相聲)，a traditional form of comic storytelling，is making a comeback in China’s tea houses and theaters．
Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin，entertained by the apprentices(學徒)of Hou Baolin，Ma Sanli or Yin Shoushan—all leading crosstalk artists of years past—for only 20 yuan($2．40)．
The success in Tianjin has also caused the rejuvenation(復活) of crosstalk in Beijing and other places．
Although the art form originated in Beijing in the Qing Dynasty(1644-1911)，Tianjin became a place where rising stars formed their styles and new pieces were tried out．The city was well—known nationwide for the quality of its crosstalk performances．
Known in Chinese as xiangsheng(1iterally，“face and voice”)，crosstalk was the predominant(支配的)form of comedy throughout most of the 20th century．In the old days in Tianjin and elsewhere，temple fairs and markets were the main places for crosstalkers to perform，although they occasionally also appeared in teahouses or theaters．
Crosstalk pieces draw on every aspect of Chinese culture，from history and folk tales to social issues of the time．Although there’re hundreds of traditional pieces，they’re constantly rewritten to suit the times and the audience, while new works are written as well．It’s one of the features that have made crosstalk a
public art form throughout its history．
“Crosstalk was in the doldrums(萎靡不振)with competition from other art forms，especially TV，”said Wang Xiaochun，headmaster of the Northern Storytelling Arts School of China(NSAS)．“But it has regained its status with crosstalk fans，especially young people，growing aware of its rare qualities．”
“More and more students are coming to NSAS to study crosstalk，including some girl students，”said Wang, “They’re sure that crosstalk will have a strong market.”
Crosstalk means“__________ ”in Chinese．
A．storytelling B．face and voice C．folk tale D．dialogue
According to the text, crosstalk is so popular throughout its history because____________．
A．it is constantly changed and renewed B．it is often performed at temple fairs
C．it is different from other arts D．it is comic and humourous
Crosstalk makes a comeback mainly because__________．
A．it is a popular traditional art after all
B．the pieces contain some famous folk tales
C．the crosstalkers make it return to teahouses
D．the pieces are made to suit the times and the audience
We can learn that the future of crosstalk first lies in ____________．
A．setting up more storytelling art schools B．beating TV and other arts
C．young people’s awareness of its value D．a strong market
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科目：高中英語 來源：浙江省五校2010屆高三下學期第二次聯(lián)考英語試卷 題型：閱讀理解
D
“Pay has little to do with motivation in the workplace”．That’s the argument put forward by best-selling author Daniel Pink in his new book, Drive: The Surprising Truth About What Motivates Us．“Pay for performance is supposed to be a folk tale,” he says．
Daniel argues that, if employees receive a basic level of payment, three other factors matter more than money: a sense of independence, of mastery over one’s labor, and of serving a purpose larger than oneself．For example, in 2008 at the offices of Best Buy’s Richfield, salaried workers there were allowed to organize their own work day, putting in only as many hours as they felt necessary to get their jobs done．Productivity increased by 35% according to The Harvard Business Review．
But the managers at Goldman Sachs aren’t exactly making some efforts to adjust．Like others on Wall Street, the banking giant argues that fat bonuses （extra rewards） are essential to make its numbers．“That’s exactly the attitude that leads to the recent financial crisis in the United States,” responds Daniel, “as managers always focus on short-term rewards that encourage cheating, shortcuts, and dishonest behavior．”
Moreover, the 45-year-old author and former Al Gore speechwriter refers to social-science experiments and experiences at such workplaces as Google and 3M．In one 2005 experiment he describes, economists working for the Federal Reserve Bank of Boston tested the power of incentives （激勵） by offering cash rewards to those who did well in games that included reciting a series of numbers and throwing tennis balls at a target．The researchers’ finding: Over and over, higher incentives led to worse performance --- and those given the highest incentives did the poorest job．
From this and other cases, Daniel draws a conclusion that monetary incentives remove the element of play and creativity, transforming “an interesting task into a dull one．” It’s even possible, he adds, for oversized rewards to have dangerous side effects, like those of a drug dependency in which an addicted requires ever larger amounts．He refers to scientific testing that shows the promise of cash rewards increase a chemical in the brain similar to that brought on by cocaine or nicotine．
Daniel, however, is also aware that his company examples --- no GE, no IBM, no Microsoft --- hardly represent the commanding heights of the economy．But he thinks his approach will catch on, even in the biggest companies．“Managers tend to be realistic, and in time they will respond,” he says．
53．In his book, Drive: The Surprising Truth About What Motivates Us, Daniel Pink is promoting the idea that _____．
A．it is a money-driven society B．all workers are not driven by money
C．money plays a key role in management D．pay has nothing to do with workplaces
54．In Daniel’s point of view, many Wall Street managers are _______．
A．dishonest B．considerate C．short-sighted D．ridiculous
55．In paragraph 5, the example of drug-taking is given to show _______．
A．money is as addictive as cocaine or nicotine
B．big rewards bring about dangerous side effect
C．nicotine and money bring the same chemical
D．workers do not need the incentives of money at all
56．We can learn from the last paragraph that _______．
A．Daniel’s approach will be popular in a wider field
B．realistic managers will first consider Daniel’s approach
C．Daniel’s approach meets the demand of economic crisis
D．GE, IBM and Microsoft will join in Daniel’s approach next
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科目：高中英語 來源：2010年遼寧省本溪縣高級中學高二上學期10月月考英語卷 題型：閱讀理解
Crosstalk(相聲)，a traditional form of comic storytelling，is making a comeback in China’s tea houses and theaters．
Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin，entertained by the apprentices(學徒)of Hou Baolin，Ma Sanli or Yin Shoushan—all leading crosstalk artists of years past—for only 20 yuan($2．40)．
The success in Tianjin has also caused the rejuvenation(復活) of crosstalk in Beijing and other places．
Although the art form originated in Beijing in the Qing Dynasty(1644-1911)，Tianjin became a place where rising stars formed their styles and new pieces were tried out．The city was well—known nationwide for the quality of its crosstalk performances．
Known in Chinese as xiangsheng(1iterally，“face and voice”)，crosstalk was the predominant(支配的)form of comedy throughout most of the 20th century．In the old days in Tianjin and elsewhere，temple fairs and markets were the main places for crosstalkers to perform，although they occasionally also appeared in teahouses or theaters．
Crosstalk pieces draw on every aspect of Chinese culture，from history and folk tales to social issues of the time．Although there’re hundreds of traditional pieces，they’re constantly rewritten to suit the times and the audience, while new works are written as well．It’s one of the features that have made crosstalk a
public art form throughout its history．
“Crosstalk was in the doldrums(萎靡不振)with competition from other art forms，especially TV，”said Wang Xiaochun，headmaster of the Northern Storytelling Arts School of China(NSAS)．“But it has regained its status with crosstalk fans，especially young people，growing aware of its rare qualities．”
“More and more students are coming to NSAS to study crosstalk，including some girl students，”said Wang, “They’re sure that crosstalk will have a strong market.”
【小題1】Crosstalk means“__________ ”in Chinese．
| A．storytelling | B．face and voice | C．folk tale | D．dialogue |
| A．it is constantly changed and renewed | B．it is often performed at temple fairs |
| C．it is different from other arts | D．it is comic and humourous |
| A．it is a popular traditional art after all |
| B．the pieces contain some famous folk tales |
| C．the crosstalkers make it return to teahouses |
| D．the pieces are made to suit the times and the audience |
| A．setting up more storytelling art schools | B．beating TV and other arts |
| C．young people’s awareness of its value | D．a strong market |
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科目：高中英語 來源：2012-2013學年遼寧沈陽鐵路實驗中學高二下期期中考試英語卷（帶解析） 題型：閱讀理解
| Voyages By Neil Waldman Travel with young Abe Lincoln down the Mississippi River, taking his boat down to New Orleans. Along the way, Lincoln finds himself on his own voyage of discovery. It is an amazing experience with risk and excitement.(Chapter book) |
| The People Could Fly By Leo Hamilton and Diane Dillon It tells a folk tale about African people who could fly. Long ago in Africa, people could fly like shing black birds in the sky. Enslaved (被奴役) and sent from Africa, their wings were lost, but an old man uses magic, and helps them fly away to freedom.(Chapter book) |
| Through Georgia's Eyes By Rachel Rodriquez and Julie Paschkis Discover the wideness and wonder of deserts and rivers through the eyes of painter Georgia O'Keefe. Deep-colored paper paitings show the artist's imagination and the amazing sightseeing that inspired her work. (Picture book) |
| A Horn For Louis By Eric A. Kimmel and James Bernardin Louis armstrong was too poor to have a real music instrument, but he had a horn(喇叭). Jazz and blues music was everywhere in the streets of New Orleans. This is teh story of how Louis got his first real "horn", when he was just a boy with a dream of becoming a musician. (Chapter book) |
| Go, Go America By Alan Barnard 50 states of fun, with interesting facts — in what state the entertainment capital of the world is, where the first hamburgers were served, what the Cereal Festival is, who hosts the Hog Calling Contest and more.(Picture book) |
| Stitchin's and Pullin' By Patricia C. McKissack, Cozbi A. Cabrera In Gee's Bend, Alabama, generations of women have sewed, talked, sang and laughed, for as long as anyone can remember. Each piece tells a story. |
| A．A Horn For Louis | B．Go, Go America | C．Through Georgia's Eyes | D．Voyages |
| A．They are both about the US. | B．They are both written by two authors. |
| C．There are lots of pictures in both books. | D．There are funny stories in both books. |
| A．how jazz and blues music was formed in its birthplace, New Orleans |
| B．how Louis got his instrument when he dreamed of becoming a musician |
| C．how Louis got the horn to become a famous musician |
| D．how Louis worked and supported his whole family |
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科目：高中英語 來源：2010年遼寧省高二上學期10月月考英語卷 題型：閱讀理解
Crosstalk(相聲)，a traditional form of comic storytelling，is making a comeback in China’s tea houses and theaters．
Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin，entertained by the apprentices(學徒)of Hou Baolin，Ma Sanli or Yin Shoushan—all leading crosstalk artists of years past—for only 20 yuan($2．40)．
The success in Tianjin has also caused the rejuvenation(復活) of crosstalk in Beijing and other places．
Although the art form originated in Beijing in the Qing Dynasty(1644-1911)，Tianjin became a place where rising stars formed their styles and new pieces were tried out．The city was well—known nationwide for the quality of its crosstalk performances．
Known in Chinese as xiangsheng(1iterally，“face and voice”)，crosstalk was the predominant(支配的)form of comedy throughout most of the 20th century．In the old days in Tianjin and elsewhere，temple fairs and markets were the main places for crosstalkers to perform，although they occasionally also appeared in teahouses or theaters．
Crosstalk pieces draw on every aspect of Chinese culture，from history and folk tales to social issues of the time．Although there’re hundreds of traditional pieces，they’re constantly rewritten to suit the times and the audience, while new works are written as well．It’s one of the features that have made crosstalk a
public art form throughout its history．
“Crosstalk was in the doldrums(萎靡不振)with competition from other art forms，especially TV，”said Wang Xiaochun，headmaster of the Northern Storytelling Arts School of China(NSAS)．“But it has regained its status with crosstalk fans，especially young people，growing aware of its rare qualities．”
“More and more students are coming to NSAS to study crosstalk，including some girl students，”said Wang, “They’re sure that crosstalk will have a strong market.”
1.Crosstalk means“__________ ”in Chinese．
|
A．storytelling |
B．face and voice |
C．folk tale |
D．dialogue |
2.According to the text, crosstalk is so popular throughout its history because____________．
|
A．it is constantly changed and renewed |
B．it is often performed at temple fairs |
|
C．it is different from other arts |
D．it is comic and humourous |
3.Crosstalk makes a comeback mainly because__________．
|
A．it is a popular traditional art after all |
|
B．the pieces contain some famous folk tales |
|
C．the crosstalkers make it return to teahouses |
|
D．the pieces are made to suit the times and the audience |
4.We can learn that the future of crosstalk first lies in ____________．
|
A．setting up more storytelling art schools |
B．beating TV and other arts |
|
C．young people’s awareness of its value |
D．a strong market |
查看答案和解析>>
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