For many years, artists have flocked to Paris, France, to paint or to learn to paint. Perhaps artists first went there because of the city′s beauty. They went to paint pictures of the broad, tree-lined streets, the great churches, and the graceful river bridges.
The artists felt comfortable in Paris because the people of the city had always enjoyed art. Paris had great art museums, filled with famous paintings and statues(雕像)from many countries. And the people of Paris had always welcomed new ideas. In this city, artists felt free to experiment with new ways of painting.
As soon as famous artists painted in Paris, students came to learn from them. People came to buy paintings. People called art dealers set up galleries where paintings were bought and sold. Others kept shops that sold artists′ paints and supplies.
Students and artists who were not yet famous could live in Paris for very little money. They learned by studying great art in the museums, and they learned from one another. They held art fairs, hanging their paintings outdoors along the streets.
Today, New York City and Florence, Italy, are also famous art centers. But the world’s main art exhibits are still held in Paris. Important judges of art live there. Most of the new ways of painting that have started in the last hundred years began in Paris. So artists and art dealers still go to Paris because it is the world′s leading art center.
1.The story does not say so, but it makes you think that.
A.Paris is famous for its artists’ paints and supplies
B.there is more than one way to paint
C.a(chǎn)rt fairs are held in galleries
D.Florence is the center of world art exhibits
2.Which of the following statement is not a reason why so many artists prefer to stay in Pairs?
A.Pairs is a beautiful city.
B.The French are willing to accept any new things.
C.All the museums are free of charge in Pairs.
D.Artists can make an easier life in Pairs.
3.On the whole, this story is about.
A.the world′s most famous art center
B.how to buy a painting in Paris
C.the famous art centers of New York and Florence
D.where to set up galleries
1.B
2.C
3.A
【解析】
試題分析:這篇文章講述的是巴黎是一座非常漂亮的城市,它是世界藝術(shù)的領(lǐng)導(dǎo)者,在這里,藝術(shù)家可以自由的作畫,而尚未出名的藝術(shù)家和學(xué)生只需要很少的花銷就可以在這座城市生存下來,所以,藝術(shù)家和藝術(shù)商都喜歡來這座城市
1.細(xì)節(jié)題。由第二段the people of Paris had always welcomed new ideas. In this city, artists felt free to experiment with new ways of painting.巴黎人總是歡迎新思想,在這個(gè)城市,藝術(shù)家能夠自由的嘗試?yán)L畫的新方式。由此可知,在巴黎不止只有一種繪畫方式。故選A
2.細(xì)節(jié)題。由第一段Perhaps artists first went there because of the city′s beauty.藝術(shù)家第一次去那里是因?yàn)檫@座城市很漂亮。故A正確。由第二段In this city, artists felt free to experiment with new ways of painting.在這座城市,藝術(shù)家能夠自由的嘗試?yán)L畫的新方式。故B正確。由第四段Students and artists who were not yet famous could live in Paris for very little money.尚未出名的藝術(shù)家和學(xué)生只需要很少的錢就可以再巴黎生存。故D正確。文章并沒有說巴黎所有的博物館都是免費(fèi)的。故C錯(cuò)誤。所有,本題答案為C
3.主旨題。縱觀全文,這篇主要是以藝術(shù)之都——巴黎為線索展開的,雖然也有其他的藝術(shù)城市,但是巴黎仍然是世界藝術(shù)中心。故選A
考點(diǎn):政治經(jīng)濟(jì)文化類說明文
點(diǎn)評(píng):本文文脈清晰,結(jié)構(gòu)很好把握。說明文是歷年高考很常見的文體,對于科技類的說明文比較難,而對于說物的文體較容易。本文中,把握好一個(gè)中心即藝術(shù)家們都很喜歡巴黎。同時(shí),此類文章細(xì)節(jié)題居多,在對文章看懂了的基礎(chǔ)在仔細(xì)對比選項(xiàng)和文章,即可得出答案。
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When I was growing up, I was embarrassed to be seen with my father. He was badly crippled (跛腳), and when we would walk together, his hand on my arm for balance, people would stare, I would be ashamed of the unwanted attention. If ever noticed or bothered, he never let on.
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Our usual walk was to or from the subway, which was how he got to work. He went to work sick, and even in bad weather. He almost never missed a day, and would make it to the office even if others could not. It was a matter of pride for him.
When snow or ice was on the ground, it was impossible for him to walk, even with help... Such times my sister or I would pull him through the streets of Brooklyn, N.Y., on a child’s sleigh to the subway entrance. Once there, he would try to grasp handrail until he reached the lower steps that the warmer tunnel air kept ice free. In Manhattan the subway station was the basement of his office building, and he would not have to go outside again until we met him in Brooklyn on his way home.
When I think of it now, I am surprised at how much courage it must have taken for a grown man to suffer from shame and disability. And I am also surprised at how he did it—without bitterness or complaint.
He never talked about himself as an object of pity, not did he show any envy of the more fortunate or able. What he looked for in others was a “good heart”, and if he found one, the owner was good enough for him.
Now that I am older, I believe that is a proper standard by which to judge people, even though I still don’t know exactly what a “good heart” is. But I know the times I don’t have one myself.
He has been away for many years now, but I think of him often. I wonder if he sensed my reluctance to be seen with him during our walks. If he did, I am sorry I never told him how sorry I was, how unworthy I was, how I regretted it. I think of him when I complain about my troubles, when I am envious of another’s good fortune, when I don’t have a “good heart”.
How did the man treat his father when he was young?
A. He helped his father happily.
B. He never helped his father.
C. He helped his father, but not very happily.
D. He only helped his father take a walk after supper.
As a disabled man, his father____.
A. didn’t work very hard
B. didn’t go to work from time to time
C. hated those who had good fortune
D. was happy and satisfied, and never lost hope
What does the underlined word “reluctance” mean in the article? It means ____.
A. anger B. sadness C. happiness D. unwillingness
How did the father get to work usually?
A. By subway. B. By bus. C. By wheelchair. D. By bike.
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When I was growing up, I was embarrassed to be seen with my father. He was badly crippled (跛腳), and when we would walk together, his hand on my arm for balance, people would stare, I would be ashamed of the unwanted attention. If ever noticed or bothered, he never let on.
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Our usual walk was to or from the subway, which was how he got to work. He went to work sick, and even in bad weather. He almost never missed a day, and would make it to the office even if others could not. It was a matter of pride for him.
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He has been away for many years now, but I think of him often. I wonder if he sensed my reluctance to be seen with him during our walks. If he did, I am sorry I never told him how sorry I was, how unworthy I was, how I regretted it. I think of him when I complain about my troubles, when I am envious of another’s good fortune, when I don’t have a “good heart”.
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A.didn’t work very hard | B.didn’t go to work from time to time |
C.hated those who had good fortune | D.was happy and satisfied, and never lost hope |
A.a(chǎn)nger | B.sadness | C.happiness | D.unwillingness |
A.By subway. | B.By bus. | C.By wheelchair. | D.By bike |
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A.grow as the educated | B.be responsible for their future |
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B.worry about grades |
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B.Many teachers do not believe in open education. |
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D.The teacher’s feelings and attitudes are important to the students. |
A.Open education is a really complex idea. |
B.Open education is better than traditional education. |
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When I was growing up, I was embarrassed to be seen with my father. He was badly crippled (跛腳), and when we would walk together, his hand on my arm for balance, people would stare, I would be ashamed of the unwanted attention. If ever noticed or bothered, he never let on.
It was difficult to walk together—and because of that, we didn’t say much as we went along. But as we started out, he always said, “You set the pace. I will try to follow you.”
Our usual walk was to or from the subway, which was how he got to work. He went to work sick, and even in bad weather. He almost never missed a day, and would make it to the office even if others could not. It was a matter of pride for him.
When snow or ice was on the ground, it was impossible for him to walk, even with help... Such times my sister or I would pull him through the streets of Brooklyn, N.Y., on a child’s sleigh to the subway entrance. Once there, he would try to grasp handrail until he reached the lower steps that the warmer tunnel air kept ice free. In Manhattan the subway station was the basement of his office building, and he would not have to go outside again until we met him in Brooklyn on his way home. www.7caiedu.cn
When I think of it now, I am surprised at how much courage it must have taken for a grown man to suffer from shame and disability. And I am also surprised at how he did it—without bitterness or complaint.
He never talked about himself as an object of pity, not did he show any envy of the more fortunate or able. What he looked for in others was a “good heart”, and if he found one, the owner was good enough for him.
Now that I am older, I believe that is a proper standard by which to judge people, even though I still don’t know exactly what a “good heart” is. But I know the times I don’t have one myself.
He has been away for many years now, but I think of him often. I wonder if he sensed my reluctance to be seen with him during our walks. If he did, I am sorry I never told him how sorry I was, how unworthy I was, how I regretted it. I think of him when I complain about my troubles, when I am envious of another’s good fortune, when I don’t have a “good heart”.
1.How did the man treat his father when he was young?
A.He helped his father happily. |
B.He never helped his father. |
C.He helped his father, but not very happily. |
D.He only helped his father take a walk after supper. |
2.As a disabled man, his father____.
A.didn’t work very hard |
B.didn’t go to work from time to time |
C.hated those who had good fortune |
D.was happy and satisfied, and never lost hope |
3.What does the underlined word “reluctance” mean in the article? It means ____.
A.a(chǎn)nger |
B.sadness |
C.happiness |
D.unwillingness |
4.How did the father get to work usually?
A.By subway. |
B.By bus. |
C.By wheelchair. |
D.By bike |
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