2．Tang Xianzu and William Shakespeare were contemporaries （同代人），who coincidentally died in the same year．
Japanese scholar Aoki Masarut was the first to draw a link between the two in his 1943book A History of Chinese Literary Thought．Yet，dying in the same year，1616，is not reason enough to put them together．
Scholars who specialize either in Tang or Shakespeare are looking for similarities between the two as the anniversaries （周年） of their deaths are marked in the United Kingdom，China and around the globe．
"Tang Xianzu was not China's Shakespeare，"said Chen Guohua，a professor at Beijing Foreign Studies University，striking a rare discordant（不和諧的） note．"He was just China's Tang Xianzu．Nobody in the English-speaking world can hold a candle to Shakespeare，and Tang was just one of the greats of Chinese drama．Guan Hanqing and Wang Shifu were equally skillful．"
Both Tang's and Shakespeare's plays were meant for the stage，but they served different audiences．Shakespeare was a professional dramatist while Tang was a civil servant who happened to pen a few plays and thousands of poems．Tang's lines were sung mostly at family theaters at a time when noblemen and retired officials were patrons （贊助人） of the arts who owned and ran their own entertainment troupes．Shakespeare，the English Bard （吟游詩人） had to sell tickets to whoever would buy them．
That probably affected their writing styles．While Tang's language is extremely difficult and the rhymes （韻律） come on like hurricanes，it is a wonder that Shakespeare's vast vocabulary could be understood by those in the Globe Theatre back then．And given that the Bard's subject matter runs such a wide range，most people，whatever their tastes，could take away something．
Though no one can touch the Bard in range and richness，there is one area where Tang shines，and that is in the use of dreams，not only as a plot device but also a philosophical tool．His quartet of plays （四夢） all built on dreams，often indicating that life is empty and all the demand for power eventually amounts to nothing．
In The Peony Pavilion （牡丹亭），his most famous play，Tang raised the dream to a higher level that Sigmund Freud would have recognized．It is the subconscious （潛意識） world of the major characters，especially Du Liniang，the noble young lady who whiles away her youth in a gilded cage．It is not a traditional love story because she had not seen or known the young man．
Of all Shakespeare's works，the dream features in A Midsummer Night's Dream．The forest near Athens is similar to the family garden in The Peony Pavilion，a neighboring quarter that sets free the desires of the young．
For the ending，Pavilion brings sadness that is absent from Shakespeare's Dream．But lyricism and earthy humor are present in both plays．And both tales can be sung or danced because they lend themselves to other forms of performing arts．Pavilion，intended as an opera，has also been chaned into plays but has been less successful．
They both represent peaks in culture，but we should stop from measuring which peak is higher and focus on what's unique about each of them instead．And the comparison of Tang and Shakespeare can serve as a point of departure for meaningful conversations about art，literature and cultural inspirations，rather than being an end in itself．
65．What can we learn from the first three paragraphs？C
A．Tang and Shakespeare died for the same reason．
B．Tang and Shakespeare were born in the same year．
C．The four hundredth anniversary of their deaths is in 2016．
D．Scholars first put Tang and Shakespeare together in 1616．
66．What Chen Guohua said suggests thatA．
A．Tang was no match for Shakespeare in plays
B．Tang was more famous than Shakespeare in China
C．Guan Hanqing and Wang Shifu were greater than Tang
D．Shakespeare was only famous in the English-speaking countries
67．Tang and Shakespeare served different audiences becauseD．
A．their plays were meant for the stage
B．they were in different countries
C．the prices of the tickets were different
D．they had different cultural backgrounds and status
68．According to the passage，which of the following is Tang's writing style？B
A．His language is easy to understand．
B．His plays are full of philosophy．
C．His plays have a wide range of themes．
D．The vocabulary in his plays is vast．
69．What can we learn about The Peony Pavilion and A Midsummer Night's Dream？C
A．They were both intended as operas．
B．They got the same success as plays．
C．The forest and the family garden played the same role．
D．Sadness was present in A Midsummer Night's Dream．
70．By writing the passage，the writer mainlyD．
A．compares Tang's life with Shakespeare's
B．introduces the works of Tang and Shakespeare
C．calls on people to read the works of Tang and Shakespeare
D．draws readers'attention to the features of Tang and Shakespeare．
分析 本文屬于說明文閱讀，作者通過這篇文章主要向我們描述了湯顯祖和威廉•莎士比亞這兩個同時代的人的作品和特點，目的是引起讀者注意唐和莎士比亞的特點．
解答 65．C．細節(jié)理解題．根據(jù)第二段"Yet，dying in the same year，1616，is not reason enough to put them together"可知2016年是他們死亡400周年；故選C．
66．A．細節(jié)理解題．根據(jù)第四段"He was just China's Tang Xianzu．Nobody in the English-speaking world can hold a candle to Shakespeare"可知Tang在戲劇中不是莎士比亞的對手；故選A．
67．D．推理判斷題．根據(jù)第五段"Shakespeare was a professional dramatist while Tang was a civil servant who happened to pen a few plays and thousands of poems"可知唐和莎士比亞為不同的觀眾服務(wù)因為他們有著不同的文化背景和現(xiàn)狀；故選D．
68．B．細節(jié)理解題．根據(jù)文章第七段"there is one area where Tang shines，and that is in the use of dreams，not only as a plot device but also a philosophical tool"可知他的劇本充滿哲理；故選B．
69．C．細節(jié)理解題．根據(jù)倒數(shù)第三段"The forest near Athens is similar to the family garden in The Peony Pavilion，a neighboring quarter that sets free the desires of the young"可知牡丹亭和仲夏夜之夢中森林和家庭花園扮演同樣的角色；故選C．
70．D．主旨大意題．通讀全文，可知文章主要介紹了湯顯祖和威廉•莎士比亞這兩個同時代的人的作品和特點，目的是引起讀者注意唐和莎士比亞的特點；故選D．
點評 考察學(xué)生的細節(jié)理解和推理判斷能力，做細節(jié)理解題時一定要找到文章中的原句，和題干進行比較，再做出正確的選擇．在做推理判斷題不要以個人的主觀想象代替文章的事實，要根據(jù)文章事實進行合乎邏輯的推理判斷．
