10.I was in my early 20s when I discovered the truth about the perfect Christmas trees my sister and I found each year in the forest behind my grandparents'farmhouse.
When we were (41)A,Colleen and I rode the train 300miles from Seattle to Spokane every summer and Christmas (42)A.Then we took a taxi and a bus to Loon Lake.We would hop out at the Loon Lake post office,where Granddad and Gammie(43)Cus with smiling faces.Christmases were always (44)Bat Loon Lake,with snow piled deep for building forts and (45)Bwith our grandparents'pet dog.Little balls of snow hung from her long fur like Christmas ornaments.But the fondest (46)Dof all was when Granddad would ride the horse Jenny and  we'd walk up the hill into the (47)Bbehind their house.We'd search the pine trees looking for that (48)Aone to honor as our Christmas tree.The (49)Dalways involved excited chatter,for all three of us had to (50)Bthat we'd found the perfect tree (51)CGranddad would swing his ax.Granddad would (52)Dthe cut tree to Jenny and drag it back to the house.
Granddad passed away when my sister and I were grown.Only then did Grammie (53)Ahis secret:He'd (54)Da tree early each spring,then shape it trough the summer
and fall so it would be (55)Cfor our big day in December.As Colleen and I raced through the trees searching for the (56)Ctree,he would cleverly guide us toward its location,(57)Bactually pointing it out.
As Gammie told us this story,we (58)Athat was why she always had that extra happiness in her eyes when we came rushing in the door,bursting with (59)Cabout how this year we'd found the best Christmas tree ever.
Of all the Christmas presents we ever received,none has been more special than the memory of Granddad's (60)Dgift.It remains as bright and beautiful as the snow on a clear December day.

41.A.growing upB.staying upC.hanging outD.setting out
42.A.vacationB.celebrationC.preparationD.schedule
43.A.praisedB.watchedC.metD.visited
44.A.warmB.whiteC.simpleD.different
45.A.helpingB.playingC.dealingD.covering
46.A.occasionB.journeyC.processD.memory
47.A.fieldB.forestC.marketD.garden
48.A.specialB.interestingC.straightestD.tallest
49.A.festivalB.experimentC.travelD.search
50.A.explainB.a(chǎn)greeC.understandD.promise
51.A.whenB.untilC.beforeD.a(chǎn)fter
52.A.passB.giveC.a(chǎn)pplyD.a(chǎn)ttac
53.A.revealB.makeC.keepD.know
54.A.cutB.buyC.digD.plant
55.A.possibleB.a(chǎn)ccessibleC.readyD.normal
56.A.bigB.magicalC.perfectD.strange
57.A.viaB.withoutC.byD.with
58.A.realizedB.confirmedC.a(chǎn)dmittedD.enforced
59.A.exhaustionB.a(chǎn)nxietyC.excitementD.surprise
60.A.funnyB.practicalC.expensiveD.secret.

分析 本文講述了,我發(fā)現(xiàn)我和姐姐每年在我祖父母的農(nóng)舍后面的森林里都能發(fā)現(xiàn)的最完美的圣誕樹(shù)的真相,是因?yàn)樽娓冈诖禾旆N植圣誕樹(shù),在夏天和秋天讓樹(shù)成型,所以到了十二月才能有圣誕樹(shù)可以收獲.

解答 41-45 AACBB 46-50DBADB 51-55CDADC 56-60 CBACD
41.A 考查詞組辨析 A.growing up長(zhǎng)大  B.staying up熬夜  C.hanging out掛出  D.setting out展示. 根據(jù)文章內(nèi)容可知,本文講述的是我長(zhǎng)大后回憶以前發(fā)生的事情.故選A.
42.A 考查細(xì)節(jié)理解 A.vacation假期  B.celebration慶祝  C.preparation預(yù)備  D.schedule時(shí)間表.根據(jù)前面的"Christmas"可知,圣誕節(jié)是一個(gè)假期.故選A.
43.C 考查詞意辨析 A.praised稱贊  B.watched觀看  C.met見(jiàn)  D.visited拜訪. 根據(jù)句意,爺爺和Gammie會(huì)笑著來(lái)見(jiàn)我.故選C.
44.B 考查細(xì)節(jié)理解 A.warm溫暖  B.white白色  C.simple簡(jiǎn)單  D.different不同. 根據(jù)"Little balls of snow hung from her long fur like Christmas ornaments"可知,周圍一片白雪皚皚,所以是白色的.故選B.
45.B 考查細(xì)節(jié)理解 A.helping幫助  B.playing玩耍  C.dealing交易  D.covering覆蓋.根據(jù)后面的"with our grandparents'pet dog"可知,我是和狗玩耍.故選B.
46.D 考查細(xì)節(jié)理解 A.occasion時(shí)機(jī)  B.journey旅行  C.process過(guò)程  D.memory記憶. 接下來(lái)描述的內(nèi)容都屬于回憶,都是最美好的記憶.故選D.
47.B 考查細(xì)節(jié)理解 A.field領(lǐng)域  B.forest森林  C.market市場(chǎng)  D.garden花園. 根據(jù)前面的"we'd found the perfect tree"可知,他們家后面是山上的森林.故選B.
48.A 考查細(xì)節(jié)理解 A.special特別  B.interesting有趣  C.straightest直的  D.tallest最高的. 根據(jù)文章內(nèi)容可知,我們會(huì)在松樹(shù)林上尋找那棵特別的樹(shù).故選A.
49.D 考查細(xì)節(jié)理解 A.festival節(jié)日  B.experiment實(shí)驗(yàn)  C.travel旅行  D.search搜尋.根據(jù)前一題可知,我們?cè)谒褜ひ豢锰貏e的樹(shù).故選D.
50.B 考查推理判斷 A.explain解釋  B.a(chǎn)gree同意  C.understand理解  D.promise允諾. 是我們?nèi)齻(gè)人一起找樹(shù)的,所以那棵樹(shù)必須得到我們?nèi)齻(gè)人的同意.故選B.
51.C 考查細(xì)節(jié)理解 A.when當(dāng)  B.until直到  C.before在…之前  D.a(chǎn)fter在…之后. 我們要在爺爺揮舞著斧頭砍下樹(shù)之前一致同意砍下那棵樹(shù).故選C.
52.D 考查詞意辨析 A.pass經(jīng)過(guò)  B.give給  C.a(chǎn)pply申請(qǐng)  D.a(chǎn)ttach附屬.a(chǎn)ttach to屬于.根據(jù)句意可知,爺爺會(huì)把樹(shù)附屬給詹妮.故選D. 
53.A 考查詞意辨析 A.reveal揭露  B.make制造  C.keep保持  D.know知道. 根據(jù)后面的內(nèi)容可知,此時(shí)才會(huì)揭露秘密.故選A.
54.D 考查推理判斷 A.cut切割  B.buy買  C.dig挖掘  D.plant種植. 根據(jù)后面的時(shí)間"early each spring"可知,是在春天種植樹(shù)木.故選D.
55.C 考查推理判斷 A.possible可能  B.a(chǎn)ccessible易接近  C.ready準(zhǔn)備好  D.normal正常. 在春天種植,在夏天和秋天使樹(shù)成型,都是為了冬天做準(zhǔn)備.故選C.
56.C 考查細(xì)節(jié)理解 A.big大的  B.magical有魔力的  C.perfect完美的  D.strange奇怪的.根據(jù)前面的內(nèi)容可知,我們是在尋找完美的圣誕樹(shù).故選C.  
57.B 考查細(xì)節(jié)理解 A.via通過(guò)  B.without沒(méi)有  C.by被  D.with與. 根據(jù)"he would cleverly guide us toward its location"可知,他會(huì)巧妙地引導(dǎo)我們走向它的位置,沒(méi)有具體指出那個(gè)方位.故選B.
58.A 考查詞意辨析 A.realized意識(shí)到  B.confirmed確證  C.a(chǎn)dmitted承認(rèn)  D.enforced執(zhí)行.當(dāng)這個(gè)秘密被揭露時(shí),我們才意識(shí)到其中的奧秘.故選A.
59.C 考查細(xì)節(jié)理解 A.exhaustion耗盡  B.a(chǎn)nxiety焦慮  C.excitement興奮  D.surprise驚奇. 我們?yōu)榻衲昴苷业阶詈玫氖フQ樹(shù)而興奮.故選C.
60.D 考查細(xì)節(jié)理解 A.funny有趣的  B.practical實(shí)際的  C.expensive昂貴的  D.secret秘密. 所有我們所收到的圣誕禮物,沒(méi)有比爺爺?shù)挠洃浀拿孛芨貏e的了.故選D.

點(diǎn)評(píng) 近幾年高考試題中完形填空有新的變化,試題所涉及的知識(shí)面不斷拓寬,綜合難度不斷提高.做完形填空首先要通讀全文,了解大意.一篇完形填空的文章有許多空格,所以必須要先通讀一到兩遍,才能大致了解文章內(nèi)容.千萬(wàn)不要看一句,做一句.其次要逐句分析,前后一致.選擇答案時(shí),要考慮整個(gè)句子的內(nèi)容,包括搭配,時(shí)態(tài)以及語(yǔ)法等.答案全部填完后,再通讀一遍文章,檢查是否通順流暢,用詞得當(dāng),意思正確.

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In the Middle Ages,the subject of almost all European art was religion,specifically Christianity and the Catholic Church.Although Renaissance artists continued to paint religious paintings,they also branched out to other subjects including Creek and Roman mythology(神話),historical subjects,and portraits(肖像)of individuals.They also focused on the details of everyday life.

Realism

One of the big changes in art was to paint and sculpt subjects realistically.This is called realism and concerned with a number of techniques that make the subjects and background look like what they would in real life.This also meant giving the subjects more emotional qualities.

Many new techniques were introduced during the Renaissance.These techniques helped to improve the quality and realism of the art.

Perspective—perspective is drawing or painting a picture such that it looks like there are three dimensions.It gives the illusion(錯(cuò)覺(jué))that some objects in the painting are further away than others.

Balance and Proportion—Drawing subjects such that they are the correct she when compared to each other.

Use of Light and Dark—Many artists started using light and shadows in their works to add drama, perspective,and timing to their art.

Sfumato—a technique used by Leonardo da Vinci to add additional perspective and dimension to paintings.It was a way of blurring(變暗)the lines between subjects.This technique was used in Leonardo's Mona Lisa.

Foreshortening—It is another technique that adds perspective and depth to paintings;foreshortening is a way of shortening lines to give the illusion of depth.

1.Before the Renaissance,what was(were) the primary subject(s) of paintings during the Middle Ages ?

A. Kings and Queens. B. Portraits of people.

C. Greek Mythology. D. Christianity.

2.What does realism mean when referring to paintings and art?

A. That the subjects and background appear as they would in real life.

B. That the paintings are landscapes of nature with no people.

C. That the painting is flat with little perspective.

D. That the subjects are only people.

3.What artistic technique make(s) some objects in a picture look further away than others?

A. Perspective. B. Balance and Proportion.

C. Sfumato. D. Light and Dark.

4.What was foreshortening?

A. When artists painted people shorter than they really were.

B. A way of making people look taller than they really were.

C. A technique where artists shortened lines to make some special effects.

D. When artists used shadow and light in their paintings to give the illusion of depth.

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