The use of the word imitation（模仿） reminds me that we ought to make some more comments on the risk of people imitating what they see on the screen in the way of crime（犯罪） or violence．First there was always a risk of children acting out scenes which could be dangerous．For example,I remember a woman who was head of a middle school telling me that she had happened to look out of her window when the children were on the playground and had seen them putting a small boy on a chair with a rope round his neck and the rope over the branch of a tree;fortunately she was in time to get there before the child was hanged．I remember a film in particular in which the hero who was imprisoned had escaped by electrocuting（通電觸死） his guard,the technique of doing this being shown in detail．This was the kind of scene which we could cut for these reasons．

    In films for young people and adults we always tried to keep off the screen the details of criminal techniques,such as how to open a locked door with a piece of hard plastic or how to open a safe;if we were consulted（請(qǐng)教） before production,I used to advise that the details should not be shown．When I gave talks in prisons about film checking I had full support for this,since fathers who were in prison for criminal offences did not want their children to get on crime．

    Every time I gave a talk in a prison someone used to mention the French film Rififi．made by Jules Dassin in 1954．This remarkable film showed in great detail a robbery of a jeweller’s shop,the robbery lasting about half an hour and being backed by only natural sound．．．one of the most brilliant film sequences（連續(xù)鏡頭） of all time．I remember our discussion at the time．We thought that the robbery was finished only with the use of advanced and obviously expensive equipment and that only the most experienced and skilled criminals could possibly imitate it;we believed therefore that it was relatively safe．When talking in prisons some years later I learned that there had been several robberies in which the techniques had been copied,so perhaps we were wrong．

The writer thinks that______．

    A．the details of the criminal technique should be kept

    B．the details of the crime should not be shown on the screen

    C．children should not imitate what they see on the screen

    D．it is dangerous to imitate what they see on the screen

What is the writer’s attitude（態(tài)度） towards the film in which the hero had escaped by electrocuting the guard?

    A．The writer likes it very much．                 

    B．The writer is strongly against it．

    C．The writer thinks the film has some value．     

    D．The writer does not show his/her attitude．

All the following statements about“Rififi”are true EXCEPT______．

    A．that the robbery shown needs experience and skills

    B．that some very good tools were used in the robbery

    C．that the film showed the technique in detail

    D．that the technique of the robbery was not imitated

It can be inferred from the passage that______．

    A．it is hard for children to tell the differences between real life and the imaginary

    B．only people in prison support film checking

    C．only children imitate what they have seen on the screen

    D．the writer used to advise the details of crime should be shown

If women are mercilessly exploited(剝削) year after year, they have only themselves to blame. Because they tremble at the thought of being seen in public in clothes that are out of fashion, they are always taken advantage of by the designers and the big stores. Clothes which have been worn only a few times have to be put aside because of the change of fashion.

Changing fashions are nothing more than the intentional creation of waste. Many women spend large sums of money each year to replace clothes that have hardly been worn. Women who cannot afford to throw away clothing in this way, waste hours of their time changing their old-fashioned dresses. Skirts are lengthened or shortened; neck-lines are lowered or raised, and so on.

No one can claim that the fashion industry contributes anything really important to society. Fashion designers are rarely concerned with necessary things like warmth, comfort and durability (耐用). They are only interested in outward appearance and they take advantage of the fact that women will put up with any amount of discomfort, as long as they look right. There can hardly be a man who hasn't at some time in his life smiled at the sight of a woman shaking in a thin dress on a winter day, or picking her way through deep snow in high heeled shoes.

When comparing men and women in the matter of fashion, the conclusions to be drawn are obvious. Do the constantly changing fashions of women's clothes, one wonders, reflect basic qualities of inconstancy and instability? Men are too clever to let themselves be cheated by fashion designers. Do their unchanging styles of dress reflect basic qualities of stability and reliability(穩(wěn)定耐用)? That is for you to decide.

Designers and big stores always make money_________.

    A. by mercilessly exploiting women workers in the clothing industry

    B. because they are capable of predicting new fashions

    C. by constantly changing the fashions in women’s clothing

    D. because they attach great importance to quality in women’s clothing

To the writer, the fact that women change their old-fashioned dresses is seen as ___________.

    A. a waste of money                    B. a waste of time

    C. an expression of taste                 D. an expression of creativity

New fashions in clothing are created for ___________.

    A. the commercial exploitation of women

    B. the women’s strength of character

    C. basic qualities of inconstancy and instability

    D. an important contribution to society

By saying “the conclusions to be drawn are obvious” (Line One to Line Two, Paragraph Four), the writer means that ___________.

    A. women’s inconstancy in their choice of clothing is often laughed at

    B. women are better able to put up with discomfort

    C. men are also exploited greatly by fashion designers

D. men are more reasonable in the matter of fashion

Why does night fall but never break and day break but never fall?

Why are people who ride motorcycles called bikers and people who ride bikes called cyclists?

In what other language do people drive in a parkway and park in a driveway?

In what other language do they call the third hand on the clock the second hand?

      Let’s face it: English is a crazy language. There is no egg in an eggplant, neither pine nor apple in a pineapple and no ham in a hamburger. Sweet-meats are candy, while sweetbreads, which aren’t sweet, are meat.

      We take English for granted. But when we explore its paradoxes (探討它的矛盾), we find that quicksand can work slowly, boxing rings are square, public bathrooms have no baths in them.

      And why is it that a writer writes, but fingers don’t fing, grocers don’t groce, and hammers don’t ham? If the plural of tooth is teeth, shouldn’t the plural of booth be beeth? One goose, two geese — so one moose, two meese?

      How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites? How can overlook and oversee be opposites, while quite a lot and quite a few are alike? How can the weather be hot as hell one day and cold as hell the next?

      English was invented by people, not computers, and it reflects the creativity of human beings. That’s why, when stars are out, they are visible; but when the lights are out, they are invisible. And why, when I wind up my watch, I start it; but when I wind up this essay, I end it.

According to the passage ______.

A. sweet-meats and sweetbreads are different things

B. there should be egg in an eggplant

C. pineapples are the apples on the pine tree

D. boxing rings should be round

Which of the following includes two items which have the similar meaning?

A. A wise man and a wise guy.   

B. Overlook and oversee.  

C. Quite a lot and quite a few.   

D. Hot as hell and cold as hell.

The underlined words “wind up” in the last paragraph probably mean “______”.

A. blow     B. roll up     C. get hurt      D. finish

Through the many paradoxes in the English language, the writer wants to show that human beings are ______.

A. clever      B. crazy       C. lazy       D. dull

—The earthquake last night was really terrifying.

—        , no people were injured or killed, and they escaped in time.

  A. Luckily            B. Hopefully            C. Sadly            D. Unfortunately

Most parents are not __________ the danger of their babies’ eating jelly, which causes most unfortunate incidents to happen.

   A. well aware to   B. very aware of    C. aware that    D. well aware of

--Mum, I don’t think I am qualified enough to do this.

--Honey, be confident! You should know it is ____ a man thinks of himself ___ really determines his fate.

A. that; that      B. how; that     C. what; that      D. how; that  

He narrowly missed being seriously hurt, if not ________, by the explosion.

A. killed               B. being killed     C. be killed            D. to be killed 

Only when class began _____ that he had left his book at home.

A. will he realize         B. he did realize

 C. did he realize          D. should he realize

________ the danger of drunk driving, many drivers promised never to drive after drinking.

    A. Realizing                         B. To have realized

    C. Realized                          D. Having realized

The audience starts to scream and young people all over Britain turn on their TVs. Yes, it’s Top of the Pops!

 Top of the Pops is an amazing 34 years old. Pop stars from all over the world appear on this successful TV programme. After 1,800 shows, it’s still the most popular pop music show in Britain. So what’s the secret?

 “We get lots of bands to perform live in the studio,” says producer Chris Cowey. “That just doesn’t happen on other shows.”

  Chris starts planning the programme over a week before it goes out. His first job is to decide which bands to have on the show. When the chart of the top twenty songs is produced on Sunday, Chris can start to book the bands.

 Monday starts with Chris meeting his sound, lighting and camera workers. They listen to each song and plan the show.

 Tuesday is paperwork day. There are bookings to make sure of letters to answer and lots of phone calls to make. The show is on Thursday. Bands arrive at the studio from 10 o’clock in the morning and start practising. Tonight’s presenter, Jo Whiley, practices too.

 First the bands go to make up. Judy and Issy are the make-up artists. “We see the stars with no make-up on, looking terrible,” says Issy. Then the bands go to the costume department where Marianne dresses the stars.

Back in the studio things are happening. The audience are practicing their dance moves! It takes over two hours to record the whole programme, then Chris edits it all night long. The final version is exactly 29 minutes long.

31. What make(s) Top of the Pops still the most popular in Britain?

A. The live performances in the studio.

B. The jobs carefully done by the workers of the TV station.

C. The great fame of the bands.

D. The large numbers of pop fans in Britain.

32. When the bands receive the invitations to the performance, _________.

A. they must decide on the songs

B. they don’t have to decide what songs they will perform

C. the songs that will be performed haven’t been decided on

D. they have no idea what songs they will perform

33．The underlined word “costume”（in Paragraph 7） probably means         .

    A. makeup  B. stage        C. studio       D. clothes

How is a music programme made at the TV station?

Which is the proper title for the passage?

A. More Popular, More Successful

B. A Stage for Pop Stars

C. Go Backstage of Top of the Pops.

D. A Popular Live Band.